$24 General Admission, $21 Member, $15 child (age 14 or younger)

Doors open for admissions 30 minutes prior to screening. Buy tickets at The Film Center or online now

American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas on October 21 in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother. This live cinema transmission is part of the Met’s award-winning Live in HD series, bringing opera to movie theaters across the globe.

Content Advisory: Dead Man Walking contains a depiction of a rape and murder, as well as other adult themes and strong language.

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“WILD APPLAUSE AND STANDING OVATIONS… Dead Man Walking makes its arresting Met debut … The finest and most engaged work I’ve ever seen or heard from Joyce DiDonato … Ryan McKinny sang the role of De Rocher with figurative and literal muscular force … Revelatory singing … Commandingly conducted by Yannick Nézet-Séguin.” —The Washington Post

“Death-row drama brings audience to tears … DiDonato is lustrous … Susan Graham is deeply moving. The orchestra’s playing is flowing andpassionate. ****” —Financial Times

“A brilliant premiere … With its emotional depth and powerful storytelling, the haunting new production left the audience spellbound.” —Vogue

“Soaring music … powerful feelings … A smartly airy production at the Met by Ivo van Hove … Charismatic stars in DiDonato and McKinny, and lavish playing from the orchestra … Affecting.” —The New York Times