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Free to stream for the month of June

Click this link to stream JUST MERCY

This film has an 99% positive audience score on Rotten Tomatoes. 

A powerful and thought-provoking true story, JUST MERCY follows young lawyer Bryan Stevenson (Michael B. Jordan) and his history-making battle for justice. After graduating from Harvard, Bryan had his pick of lucrative jobs. Instead, he heads to Alabama to defend those wrongly condemned or who were not afforded proper representation, with the support of local advocate Eva Ansley (Brie Larson). One of his first, and most incendiary, cases is that of Walter McMillian (Jamie Foxx), who, in 1987, was sentenced to die for the notorious murder of an 18-year-old girl, despite a preponderance of evidence proving his innocence and the fact that the only testimony against him came from a criminal with a motive to lie. In the years that follow, Bryan becomes embroiled in a labyrinth of legal and political maneuverings and overt and unabashed racism as he fights for Walter, and others like him, with the odds-and the system-stacked against them.

A special message from the filmmakers:

WE BELIEVE IN THE POWER OF STORY.
OUR FILM JUST MERCY, BASED ON THE LIFE WORK OF CIVIL RIGHTS ATTORNEY BRYAN STEVENSON, IS ONE RESOURCE WE CAN HUMBLY OFFER TO THOSE WHO ARE INTERESTED IN LEARNING MORE ABOUT THE SYSTEMIC RACISM THAT PLAGUES OUR SOCIETY.

FOR THE MONTH OF JUNE, JUST MERCY WILL BE AVAILABLE TO RENT FOR FREE ACROSS DIGITAL PLATFORMS IN THE US.
TO ACTIVELY BE PART OF THE CHANGE OUR COUNTRY IS SO DESPERATELY SEEKING, WE ENCOURAGE YOU TO LEARN MORE ABOUT OUR PAST AND THE COUNTLESS INJUSTICES THAT HAVE LED US TO WHERE WE ARE TODAY.
THANK YOU TO THE ARTISTS, STORYTELLERS AND ADVOCATES WHO HELPED MAKE THIS FILM HAPPEN. WATCH WITH YOUR FAMILY, FRIENDS AND ALLIES.
FOR FURTHER INFORMATION ON BRYAN STEVENSON AND HIS WORK AT THE EQUAL JUSTICE INITIATIVE PLEASE VISIT EJI.ORG.

“Jordan… has steel and energy in his part, and… Foxx… gives a beautifully modulated, unflashy and quietly moving performance, easily his best in at least a decade.” – Daily Telegraph (UK)

“The film’s power lies in the brutality of its true story, and yet that narrative stays within fairly conventional bounds precisely because of Cretton’s commitment to telling it.” – The Atlantic