SOLD OUT – TELL THEM WE ARE RISING: The Story of Black Colleges and Universities

| 2017 | 85 mins. | |
Directed by Stanley Nelson

Thursday August 17, 2017


Free Admission to General Public. Tickets available in advance online
Doors Open for admissions 30 min. prior to screening
. Reserve your tickets in advance online BUY TICKETS

Directed by Stanley Nelson

Join filmmaker Stanley Nelson after the film for a Q&A.  Sponsored by Firelight Media. 

A haven for Black intellectuals, artists and revolutionaries—and path of promise toward the American dream—Black colleges and universities have educated the architects of freedom movements and cultivated leaders in every field. They have been unapologetically Black for more than 150 years. For the first time ever, their story is told.

Directed by award-winning documentary filmmaker Stanley Nelson, TELL THEM WE ARE RISING: THE STORY OF BLACK COLLEGES AND UNIVERSITIES examines the impact Historically Black Colleges and Universities (HBCUs) have had on American history, culture, and national identity.


Special guest: Filmmaker Stanley Nelson


Stanley Nelson is one of the foremost chroniclers of the African American experience working in nonfiction film today. His films, many of which have aired on PBS, combine compelling narratives with rich and deeply researched historical detail, shining new light on both familiar and under-explored aspects of the American past. Mr. Nelson’s latest film, The Black Panthers: Vanguard of the Revolution (2016), is arguably the first comprehensive feature length historical documentary portrait of that iconic organization, as well as an extremely timely look at an earlier phase of black activism around police violence in African American communities. The film was recently nominated for a Primetime Emmy Award. Nelson’s two previous films, Freedom Summer (2014) and Freedom Riders (2010), took a fresh look at multiracial efforts to register black voters and desegregate public transportation facilities in the Jim Crow South, critical events in the civil rights struggles of the 1960’s. Nelson’s 2003 film The Murder of Emmett Till, about the brutal killing of a fourteen-year-old African American boy in Mississippi in 1955, an event that had a galvanizing effect on the mid-century civil rights movement, uncovered new eyewitnesses to the crime and helped prompt the U.S. Department of Justice to reopen the case.

Other notable Nelson films include the Emmy nominated The Black Press: Soldiers Without Swords (1999), a sweeping portrait of over a century of independent black journalism; Two Dollars and a Dream (1989), a biography of Madame C.J. Walker, the first self-made African American female millionaire; Jonestown: The Life and Death of People’s Temple (2006), a riveting account of how cult leader Jim Jones led more than 900 followers to commit mass suicide in a remote corner of northwestern Guyana in 1978; Marcus Garvey: Look for Me in the Whirlwind (2000) a moving account of the life of the controversial early twentieth century black nationalist; and A Place of Our Own (2004), a remarkable and revealing portrait of the upper middle class African American resort community of Oak Bluffs on Martha’s Vineyard, as well as a very personal portrait of Nelson’s sometimes difficult relationship with his father. In 2000, Mr. Nelson, along with his wife, Marcia A. Smith, founded Firelight Media, a nonprofit production company dedicated to using historical film to advance contemporary social justice causes, and to mentoring, inspiring and training a new generation of diverse young filmmakers committed to advancing underrepresented stories.

Nelson, a MacArthur “Genius” Fellow, was awarded an individual Peabody for his body of work in May of 2016. He has received numerous honors over the course of his career, including five Primetime Emmy Awards and the 2016 Lifetime Achievement Award from the National Academy of Television Arts Sciences. In 2013, Nelson received the National Medal in the Humanities from President Barack Obama.

"A robust and stirring capsule history." -Sheri Linden, Hollywood Reporter

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