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PLEASE NOTE SPECIAL PRICING: $20 General Admission, $18 Member

Doors Open for admissions 30 min. prior to screening Buy tickets at Film Center or online now

After the film, there will be a simulcast Q&A featuring Olivia Wilde and Reed Morano (director)

Sarah (Olivia Wilde) and Phil’s (Luke Wilson) son goes missing, shattering their life together. As months pass with little information, they each struggle in their own way to cope. Phil’s more traditional route leads to an unexpected friendship, but also a precarious disconnect with the responsibilities of his job as a city cop. Teacher Sarah goes even farther overboard, struggling to keep herself in check beside the students, parents, family members, and officials that interrupt her search for answers.

Cinematographer Reed Morano takes her first turn in the director’s chair with this masterfully crafted contemplation on a relationship strained to the breaking point. With virtuosity reminiscent of Kelly Reichardt, she navigates the strange and bitter moments that follow two people who only want to grieve. Wilde and Wilson capture unraveling emotions with remarkable power and persistence, alongside a cadre of exceptional supporting actors in Kevin Corrigan, John Leguizamo, Elisabeth Moss, Giovanni Ribisi, Juno Temple, and Merritt Wever.

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About the NY Film Critics Film Series:  A regular series of ongoing preview screenings is established in approximately 50 selected major markets. Audiences experience all of the excitement of live Q&A sessions held in New York City, hosted by Peter Travers. The big screen events deliver 9-13 curated pre-release films per year to discerning audiences on a monthly basis. Each movie in the Screening Series is introduced live by Peter Travers. Audiences then see award contenders prior to their release followed by live, HD Q&A between Travers, audiences and talent from the films. Each piece brings the energy and VIP nature of prestigious, NYC screenings for nationwide audiences to interact with stars and directors via two way simulcast.

“Morano’s roving camerawork is especially good…” — John DeFore, The Hollywood Reporter

“…a well-crafted and heartbreaking debut.” — Jordan Hoffman, The Guardian