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Michel takes up picking pockets as a hobby, and is arrested almost immediately, giving him the chance to reflect on the morality of crime. After his release, though, his mother dies, and he rejects the support of friends Jeanne and Jacques in favour of returning to pickpocketing (after taking lessons from an expert), because he realises that it’s the only way he can express himself…

“Bresson choreographs the complex techniques of lifting wallets and watches with such precision that one seems to be watching a kind of surreptitious ballet.”
–David Denby, New Yorker

“Robert Bresson made this short electrifying study in 1959; it’s one of his greatest and purest films, full of hushed transgression and sudden grace.”
–Dave Kehr, Chicago Reader

“A picture so original in style that it sometimes seems downright peculiar.”
— Time Magazine